![]() The connector‑stuffed rear panel (also featuring the name of the desk, in case you've forgotten what it's called). How does a 32 input, 8‑buss desk with a wealth of features, for under £1600, grab you? Read on. Luckily, you may now be able to afford rather more than you at first thought. This is one case (to paraphrase part one of our 'Into Gear' series last month) where you really should buy the best you can afford. The suitability, or otherwise, of your mixer to your circumstances can make the difference between a smooth‑running session and a disastrous waste of time a desk's audio quality is also critical to the finished result. In any case, few could disagree that the mixing desk is central to the modern multitrack studio, whether bijou back‑bedroom or multi‑room complex. (Many might vote for the recorder itself, but that would spoil the flow of my intro!) You could also choose the mixing desk, which sits firmly in the middle of everything, routing your sounds to tape or hard disk and back again to the real world, as you mix. There are many candidates for "most important component" in your studio: it could be the mic, that first point of contact between real‑world sound and your recording medium, or it could be the monitor speakers, which have such an effect on how you perceive your finished work. You might think you can't afford 32 inputs and eight busses - but a look at this cost‑effective console might just change your mind. ![]()
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